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If the target clip is shorter than the source clip, keyframes are pasted beyond the target clip Out point. If the effect includes keyframes, these keyframes appear at comparable positions in the target clip, starting at the beginning of the clip. All other effects (including keyframes) are added to the list of effects already applied to the destination clips. With Paste Attributes, effects intrinsic to the source clip-Motion, Opacity, Time Remapping, and Volume-replace those effects in the destination clips. You can paste these values to another clip in any sequence using the Paste Attributes command. You can also copy all effect values (including keyframes for Fixed and Standard effects) from a clip in any sequence. You can copy and paste individual effects in the Effect Controls panel. You do not have to target the destination track. You can copy effects from a clip in one track of a sequence and paste them onto clips in another track.

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For example, you can apply identical color correction to a series of clips shot in similar lighting conditions. You can easily copy and paste effects from one clip to one or more other clips. However, you can make an effect start and stop at specific times or make the effect more or less intense by using keyframes. Alternatively, you can view and adjust effects for a clip in the Timeline panel by expanding its track and selecting the proper viewing options.Д«y default, when you apply an effect to a clip, the effect is active for the duration of the clip. To view and adjust effects for a selected clip, use the Effect Controls panel. You can also temporarily disable any effect, which suppresses the effect without removing it, or you can remove the effect completely. You can apply Standard effects to more than one clip at a time by first selecting all the clips you want to affect. You can apply the same effect multiple times, using different settings each time. Alternatively, select the clip and double-click an effect in the Effects panel to apply it. You can apply one or more Standard effects to a clip by dragging effect icons from the Effects panel to a clip in the Timeline panel.

Using the Source Monitor and Program Monitor.

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Troubleshoot issues related to playback and performance in Premiere Pro.

How do I manage the Media Cache in Premiere Pro?.

Green and pink video in Premiere Pro or Premiere Rush.

Check if your system is compatible with Premiere Pro.

Improving Performance and Troubleshooting.

Best Practices: Working with native formats.

Best Practices: Learning from broadcast production.

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Consolidate, transcode, and archive projects.Best Practices: Working with Productions.How clips work across projects in a Production.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.Get creative with color using Lumetri looks.Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.

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Upgrade Legacy titles to Source Graphics.Best Practices: Faster graphics workflows.Use data-driven Motion Graphics templates.Replace images or videos in Motion Graphics templates.Use Motion Graphics templates for titles.Add Responsive Design features to your graphics.Overview of the Essential Graphics panel.Automatically reframe video for different social media channels.Overview of video effects and transitions.Set up and use Head Mounted Display for immersive video in Premiere Pro.Measure audio using the Loudness Radar effect.Advanced Audio - Submixes, downmixing, and routing.Monitor clip volume and pan using Audio Clip Mixer.Editing, repairing and improving audio using Essential Sound panel.Synchronizing audio and video with Merge Clips.Edit from sequences loaded into the Source Monitor.

Find, select, and group clips in a sequence.

Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.

Importing AAF project files from Avid Media Composer.

Setting up your system for HD, DV, or HDV capture.

Use Premiere Pro in a dual-monitor setup.

Best Practices: Create your own project templates.

Open and edit Premiere Rush projects in Premiere Pro.

Backward compatibility of Premiere Pro projects.

GPU Accelerated Rendering & Hardware Encoding/Decoding.

Hardware and operating system requirements.

FAQ | New import and export in Premiere Pro (Beta).

New import & export in Premiere Pro (Beta).

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